molly springfield
Notice to the Reader/Notice to the Viewer Notice to the Reader/Notice to the Viewer Notice to the Reader Notice to the Viewer Installation view of Gentle Reader at Transformer, Washington, DC, October 28-December 2, 2006. Calotypes Calotypes Gentle Reader Inscription Copy page of black letter Installation view of Gentle Reader at Transformer, Washington, DC, October 28-December 2, 2006. a dual nature a dual nature (detail) Window in the Roof above the old Brewery, Lacock Abbey Window in the Roof above the old Brewery, Lacock Abbey (detail) Window in the Roof above the old Brewery, Lacock Abbey (detail) Installation view of Gentle Reader at Transformer, Washington, DC, October 28-December 2, 2006. Introductory Remarks Introductory Remarks (detail) Introductory Remarks (detail) Introductory Remarks (detail) Introductory Remarks (detail) Introductory Remarks (detail) diminish and disappear diminish and disappear (detail) diminish and disappear (detail) diminish and disappear (detail) Installation view of Gentle Reader at Transformer, Washington, DC, October 28-December 2, 2006. Plate IX
Gentle Reader
Transformer, Washington, DC
October 28-December 2, 2006

William Henry Fox Talbot's frustration with his inability to capture nature with a pencil eventually led him to develop what he called "the art of photogenic drawing." He invented the photographic negative from which positive prints could be made, thus allowing for the mass reproduction of images. He chronicled these discoveries in "The Pencil of Nature" (1844), the world's first photographically-illustrated book.

In "Gentle Reader" I drew on Talbot's life and work to create a dialogue between past and present. The result was a mix of conceptual drawing, experimental photography, and historical homage. The project included large drawings based on the introduction to "The Pencil of Nature," as well as smaller drawings of photocopies of secondary sources discussing Talbot's photographic discoveries. In addition to these drawings, I presented the results of my own experiments with calotype or Talbotype photography: sepia-toned sunprints of cutouts from "The Pencil of Nature" and Talbot's personal notebooks. I also designed a set of letterpress-printed bookmarks that viewers were invited to take home.

Review by Heather Goss

Review by Jeffrey Cudlin

Interview with Kriston Capps

Essay in CAA News
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