molly springfield
Translation (Installation at Thomas Robertello Gallery) Translation (Installation at Thomas Robertello Gallery) Translation (Installation at Thomas Robertello Gallery) Translation (Installation at Steven Wolf Fine Arts) A Brief Note on the Translation A Brief Note on the Translation (window side) A Brief Note on the Translation (gallery side) A Brief Note on the Translation A Brief Note on the Translation A Brief Note on the Translation (detail) A Brief Note on the Translation (detail) A Brief Note on the Translation (detail, window side) Overture Page 1 Page 2 Page 3 Page 4 Page 5 Page 6 Page 7 Page 8 Page 9 Page 10 Page 11 Page 12 Page 13 Page 14 Page 15 Page 16 Page 17 Page 18 Page 19 Page 20 Page 21 Page 22 Page 23 Page 24 Page 25 Page 26 Page 27 Page 28
Translation
"This installation is the result of a painstaking process that took Molly Springfield two full years to complete: her own “translation,” entirely in the form of drawings, of the first chapter of Marcel Proust’s In Search of Lost Time.

Springfield’s project—which San Francisco Chronicle critic Kenneth Baker called an “irresistible” work “of rare conceptual elegance”—consists of 28 individual drawings of photocopies of sequential pages from the first chapter of the novel, pieced together from every existing English translation. This patchwork results in the repetition and omission of text from page to page, resolving into an incomplete and not-fully-readable rendition of the original.

In addition to confronting the inevitable loss that occurs during the process of translation, Springfield’s work is a meditation on the slipperiness of memory, the transformative power of labor, the materiality of language, and the definition of originality.

The installation includes a mixed media, site-specific supplemental work, A Brief Note on the Translation, in which Springfield explores the conceit of playing translator—offering viewers selections from the research and writing that informed her work. In serving the dual purposes of explanatory wall text and artist’s sketchbook, Brief Note underscores the subtle cheekiness inherent in much of Springfield’s work."

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project exhibition history:

Thomas Robertello Gallery, Chicago, Sept.-Oct. 2009. Selected by Newcity Magazine as one of the top 5 drawing shows of the year

The Baltimore Museum of Art, June-August 2009. Exhibited as one of five finalists for the Janet & Walter Sondheim Prize

Steven Wolf Fine Arts, San Francisco, Feb.-March 2009. Nominated for an AICA (International Association of Art Critics) Award for "Best Show in a Commercial Gallery Nationally"

upcoming: "Graphite" at Indianapolis Museum of Art, curated by Sarah Urist Green, 2012

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Review by Candice Weber for Art Talk Chicago, September 6, 2009

Review by Karsten Lund for Flavorpill Chicago, September 5, 2009

Review by Brett McCabe for the Baltimore City Paper, July 8, 2009

Review by Kennth Baker for the San Francisco Chronicle, February 28, 2009

Watch excerpts from a panel discussion with Proust scholar Joshua Landy and art critic Kriston Capps, held on February 2009 (off-site link)

Review by Johnny Ray Houston, San Francisco Bay Guardian, March 10, 2009

Interview with Tiffany Maleshefski, The San Francisco Examiner, February 26, 2009

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Dear Molly Proust by Bill Berkson, Big Bridge, Issue 14 (2010)

Essay on the project by Molly Springfield in NY Arts Magazine.

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